Cairn: Sea-worn, land-slipped tarmac
Media: Sea-worn, land-slipped tarmac, perspex acrylic letter trays.
35 x 26 x 38cm.
This carin and the one below were briefly reinstalled back in the locations where their material content was sourced. Here, the first at Compton Bay beach, West Wight. The tarmac ‘stones’ originate from the fast disappearing National Trust car park on the cliff top above. The broken-off lumps having been worn round by the sea on the beach below, starting to resemble natural geology.
The use of filing or letter trays, stem from an interest in the process of selecting, filtering and stacking as an basic instinctive human sculptural/material response – the cairn as a physical marker of ‘objects marked’, in and of a place.
Cairn: Sea-worn concrete
Sea-worn concrete, chrome wire letter trays.
38 x 27 x 66cm.
The ‘rocks’ in this cairn were found at Freshwater Bay, West Wight, intermingled with flint and chalk pebbles. Broken off from both 19th and 20th century cast cement and shingle sea-defence blocks, in various past attempts to hold back the eroding power of the sea.
The concrete chunks selected for the cairn evidence the years of being worn down, of being reclaimed from the manmade by natural forces, being smoothed round as they are gradually and patiently being reduced to grains of sand and eventually, one day be erased.
Cairn: Sea-worn bricks
Sea-worn bricks, painted steel letter trays.
29 x 38 x 102cm.
A third cairn, was assembled working with sea-worn bricks collected from the sea around Fort Victoria on the North West coast of the Isle of Wight.
The theme for the Europe-wide event was 'building' and this installation was intended to relate to architecture, where the structure of the letter tray shelves, could also be seen to reference the constructed floors of ever-ascending human made towers.